No tone holes were present on the bell, and only the upper octave pip was present on the neck. His solution was a curved neck and a bell tipped at a right angle on a straight soprano. He further states that the straight soprano is acoustically superior, but is also uncomfortable in its playing position. Patent 1549101, granted November 2, 1926), Henry Dreves describes the curved soprano as being problematic in the bow area and uncomfortable to play. The famous King Saxello was introduced in September, 1924, in an attempt to address problems associated with the straight and curved soprano horns of the time. Some of the engraving found on King horns of this era is spectacular! Additional engraving, hand burnished gold finishes, and nickel plating also became available. In this system, the tube of the neck octave pip was slanted, and the point of pad contact was rounded to better seal against a pad with a concave surface. This mechanism, designed for King by Henry Dreves (US Patent 1549911, granted August 18, 1925) was an attempt to eliminate the hissing that often occurs between high G and high A. These instruments continued many of the features of the previous King instruments, such as braised rather than drawn tone holes, and featured a front F key, a wider G sharp key, and an improved octave key. #King cleveland 613 alto saxophone serial numbers seriesIn 1924, King revamped their saxophone lines with the introduction of the New Series horns. In 1922, a curved soprano, a baritone, and a C soprano were added to the line. These horns were available in bare brass, silver plate, silver plate with gold keywork, and gold plate. This has two benefits: the player can leave the right hand keys depressed while using the left hand mechanism (think of a D arpeggio), and the intonation of the problematic note A is vastly improved. This system involves using a double set of pads actuated by the G key, one corresponding to the note G, the other to the note G sharp. I’ve always considered this system to be a great idea, and have often wondered why it was not adopted by other makers. All three of these horns had, in addition to the forked E flat mechanism and G sharp trill key in vogue at the time, the unique “open” G sharp pad. In June, 1919, a tenor and a C melody were added to the line. King secured a government contract, and the entire saxophone production from 1916 –1918 was sold to the U. In 1915, work began on the design of a King saxophone, and this model (an alto) was introduced in 1916. From 1910 until 1916, the company distributed Kohlert saxophones. The first saxophones distributed by the company were Buffet horns which were imported from 1908 – 1910. In 1903, he was joined by his brother, Hugh White, and in 1924, by his son, Richard White. Following the death of Henderson White in 1940, his wife took over operation of the company and ran it successfully for many years. Berg out and became the sole owner of the H. White had been a repairman in Detroit, Michigan and later moved to Cleveland, Ohio to head the re[air department at McMillin’s Music Store. White Company, which was founded by Henderson N. In recent years, these horns have developed a cult following, and I consider some of the models to be seriously undervalued. #King cleveland 613 alto saxophone serial numbers fullThey are not without their quirks and faults, but there is just that indefinable something about the sound of a King at full song that gets my blood pressure up and my hair standing on end.
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